ITEA JOURNAL VOLUME 30:3 (Spring 2003)

Election of Officers From USA, ballot must be re turned by May 1 0, 2003 (postmark date) . If located outside of the USA,...

Surviving Focal Dystonia by Ron Munson The tuba remains today the single J ) most important aspect of my life, and if anyone had...

#1 by Roland Szentpali Caprice No. 3 This issue marks the revival of the T.U.B.A. Gem Series as ITEA Gem Series. First initiated |our...

Editorial by R. Winston Morris I am honored to be asked to write a “guest editorial” for this issue of the ITEA Journal. I...

Mark Nelson, Associate Editor The ITEA Journal encourages submissions of materials for review within the following guidelines: 1. With rare exceptions, unpublished manuscripts are...

ITEA Legacy Project Volume I by Marc Dickman The Legacy of Rich Matteson It is an honor and pleasure to have helped to select...

ITEA News Joe Skillen, Associate Editor New Appointments Congratulations to Mike Roylance the new Principal Tuba Player in the Boston Symphony. There will be...

“Do You C What I C? by David Zerkel An Examination of Solo Literature for the Contrabass Tuba I have really fond memories of...

Tips for Tuba, Vol. 111B by David Porter, Principal Tuba, The McLean Orchestra Go Vertical! Just when you thought 1was done talking about air,...

by Craig Kridel and Clifford Bevan, Editors The Mystery of the Missing Tuba by Arnold Myers (Museums) Adolphe Sax is credited with bringing order...

T.U.B.A. Musings: by Arthur Frackenpohl A Composer’s Review of the First International Tuba Symposium-Workshop Editor’s Note: In 1973, Arthur Frachkenpohl was one of many...

The President’s Corner by Skip Gray, President An important goal of ITEA is documenting and preserving the heritage of great players who have made...