HISTORICAL INSTRUMENT COLUMN: Looking at the Past: Why Play Historical Brass?
Of course you would expect the Historical Instruments column to look at the past, but the past stretches from the moment that you’ve read the…
Of course you would expect the Historical Instruments column to look at the past, but the past stretches from the moment that you’ve read the…
Historical Performance Standards: Low Brass Was Berlioz unique in having “modern” standards? That he was not a lone voice is demonstrated in many of the…
The ophicleide was still in use in some orchestras as late as the end of the nineteenth century, little more than a hundred years ago…
The most recent discussion in the Historical Instruments Column of the English F tuba was in 2008. The context was an investigation into Vaughan Williams’s…
An earlier version of this article appeared in the February 2016 edition of the Galpin Society Newsletter and the Spring 2016 issue of The Serpent Newsletter. The finished…
New interest is emerging for instruments that have been a mere afterthought to the church serpent and ophicleide-namely, bass horns. The editors of second edition…
Inventions: Need or Greed? Though not generally accepted as being so important as “No Freeman shall be taken or imprisoned, or be disseised of his…
Following eleven years spent contesting legal cases, Adolphe Sax, bankrupted three times, died aged eighty in 1894. One of the Parisian instrument makers who had…
The 2016 Clifford Bevan Award for Excellence in Research In 2010, ITEA established the Clifford Bevan Award for Excellence in Research, a biennial program seeking…
Forty years on, growing older and older, Shorter in wind, as in memory long. Feeble of foot, and rheumatic of shoulder, What will it…
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