ITEA JOURNAL VOLUME 8:4 (Spring 1981)

23169
Editor: Steven Bryant
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A PICTORIAL HISTORY OF THE TUBA AND ITS PREDECESSORS - Robert E. Eliason
(a continuing series) Curator of Musical Instruments – Henry Ford MuseumT.U.B.A. Coordinator – Tuba/Euphonium History During the early years of the 19th century improved...
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WHY HAVE COMPOSERS STOPPED WRITING MELODICALLY FOR THE EUPHONIUM? - Dr. Robert Reifsnyder, Indiana State University
Dr. Reifsnyder is a member of the faculty at Indiana State University. As a performer on the euphonium, he has been a member of...
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TUBANEWS
BIOGRAPHER SEARCHES FOR BILL BELL STORIES A friend of T.U.B.A., Kate Hawkins, is in the process of compiling a collection of stories about the...
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THE PRACTICE ROOM
TWO TEXAS TUBISTS WIN AUDITIONS Sumner Erickson, a 1980 graduate of Austin High School, Austin, Texas, won the recent Pittsburgh Symphony tuba audition and...
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THE DAILY ROUTINE - DO I NEED IT? - Raymond Nutaitis, Arizona State University
The very special forum of creative human activity called musical performance exists in two spheres. The lower, and basic level is PHYSICAL. In this...
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T.U.B.A GEM SERIES - SONG OF MEMORY - Stephen S. Fentress
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LETTERS
DEAD IN THE STUDIO An independent music teacher can be a delightful and greatly rewarding experience, but it can also be a treadmill –...
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INTERCHANGES - Brent Dutton (Central Michigan University)
One way that I have conceived of using this column about low brass composition and performance is to interview composers who are active and...
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DOUBLE-BELL EUPHONIUMS IN THE ARNE B. LARSON COLLECTION PART III - Mary Petersen
This article is a continuation of a series of articles on the baritones and euphoniums of the Arne B. Larson Collection of Musical Instruments...
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$50 AWARDS WILL BE PAID BY T.U.B.A. FOR SCHOLARLY ARTICLES AND GEM SERIES COMPOSITIONS
T.U.B.A. GEM SERIES Composers should send works for the T.U.B.A. Gem Series to: Floyd Cooley381 Upper TerraceSan Francisco, California 94117 USA Compositions may be...