TUBA FORUM
To the Editor: A recent story on TubaChristmas came over the AP wires from Boston. The following is a version which ran in the Victoria…
Author: Peggy Heinkel
SENSEI – Peggy Heinkel
The Japanese language has an affinity for attaching suffixes to names. These titles can show a range of emotion from respect to simple affection. Sensei…
T.U.B.A. PEDAGOGY – Edited by Fritz Kaenzig & A LOOK AT THE TOKYO BARI-TUBA ENSEMBLE – Peggy Heinkel
T.U.B.A. PEDAGOGY – Edited by Fritz Kaenzig PROPER BREATH – Jeffrey L. Funderburk The most fundamental aspect of playing any wind instrument is breathing. The…
ANALYSIS FOR INTERPRETATION: SAMUEL ADLER’S DIALOGUES FOR EUPHONIUM AND MARIMBA – Peggy Heinkel
As performers, there are many times we put in hours of work preparing a new work for concert without ever really examining it from the…
THE OBVIOUS SOLUTION – by Peggy Heinkel and Dan Vinson
Today’s euphoniumist has many choices of instrument makes and models, each carefully designed for accurate intonation. Yet even with additional valves and automatic compensating systems,…