ITEC 2025
Valencia (Spain) has been designated by the International Tuba and Euphonium Association (ITEA) as the venue for the International Tuba Euphonium Conference (ITEC), which will be held from June 23-29, 2025 in partnership with the Spanish Tuba and Euphonium Association (AETYB) as a host:
- June 23-25, 2025 – ITEC Competitions
- June 25-29, 2025 – Conference Festivities (performances, presentations, workshops, exhibits)
Valencia is a city that opens onto the Mediterranean Sea and combines tradition with modernity, has great cultural activity, is welcoming to the millions of people who visit it every year, is full of fun, and has an exquisite gastronomy to welcome the artists who will attend this conference. In terms of music, the city has the necessary facilities for a conference of this magnitude, it has a professional orchestra and band, numerous high-level amateur bands in the surrounding area, countless hotels to stay in, and connections to the main airports of the world.
The Palau de la Música, venue of ITEC Spain 2025, is the most representative place in Valencia for the musicians of the region, as it is home to the city’s Orchestra and Band. It has magnificent concert halls and facilities to carry out all the activities required at an ITEC. It also has important added extras such as a loading bay, public parking (by the hour) and its own restaurant. The Palau is located next to the Turia riverbed promenade in the center of Valencia, in an area with numerous cafés, restaurants and hotels, where it is easy to stay and easy to get to from any point in the City.
ITEC Spain 2025 aims to be a meeting place where artists, educators, students, amateurs, composers, manufacturers, vendors and the rest of the members of our collective can express our concerns, worries and projects related to the future of the euphonium and the tuba. A future in which inclusion, equity and fellowship are fundamental values for our community, where every voice counts, and every perspective enriches the way forward regardless of nationality, gender, sexual orientation, religion or age. Let us adopt a pluralistic vision of the world we live in, capable of uniting us for common causes and preserving our traditions, roots and customs as part of the cultural diversity that enriches humanity.
Half a century ago, our founders established the ITEA to promote and advance the tuba and euphonium. Our instruments have flourished considerably since our founding thanks to the collaboration of performers, composers, builders, repairers, retailers, publishers, programmers and others. To make further progress, it is crucial that we realize the importance of this collaboration between all of us who make up this great family. Therefore, we must explore together how to move forward on the road to a prosperous future for the euphonium and tuba, where we and our instruments reach the highest artistic heights.
Let us continue to build our future with determination and never stop believing in our dreams.
We are looking forward to welcoming you all in Valencia, Spain!
Pablo Fernández
ITEC 2025 Host
President of the Spanish Tuba and Euphonium Association AETYB
The official language for ITEC 2025 communications will be English.
ABOUT
ITEA’s MISSION STATEMENT:
ITEA shall foster bonds among all tuba and euphonium players, create enthusiasm for the instruments and its performers, celebrate diversity, support professional development, promote the sharing of resources, and encourage teaching and learning about the instruments.
SCHEDULE
ITEC 2025 Schedule
Info to come
MOBILE CONFERENCE PROGRAM
ITEC 2025 Mobile Conference Program
Info to come
COMPETITIONS
The scores with which the participants compete must be original.
Applicants will freely choose the Tuba or Euphonium that they consider appropriate to interpret each of the pieces in the Competition, with the exception of the Arnold Jacobs Mock Orchestral Tuba Competition, which specifies which Tuba should be used in each orchestral excerpt.
The organization of the competition will provide the material for the Arnold Jacobs Mock Orchestral Tuba Competition and for the Mock Wind Band and Orchestral Euphonium Competition through the links in each established section.
Complete Competition Rules:
Click on a competition below to see details.
(over 18 years of age as of 1/1/2025)
1. Prize: 2000 U.S. dollars + Diploma
2. Prize: 750 U.S. dollars + Diploma
3. Prize: 250 U.S. dollars + Diploma
Preliminary Round by Vídeo/Audio:
Tonoi IX by Nickitas Demos (Unaccompanied Euphonium) (Euphonium.com Publications)
1st Round:
Déjà Vu (Euphonium and Piano) by Arturo Márquez (Peer Music Classical)
2nd Round:
Fantasy (Euphonium and Piano) by Johann Nepomuk Hummel (Winwood Music)
Capriccio (Unaccompanied Euphonium) by Óscar Abella (www.oscarabella.com)
3rd Round:
Vintage by David Gillingham (Euphonium and Piano) (C. Alan Publications)
(over 18 years of age as of 1/1/2025)
1. Prize: 2000 U.S. dollars + Diploma
2. Prize: 750 U.S. dollars + Diploma
3. Prize: 250 U.S. dollars + Diploma
Preliminary Round by Vídeo/Audio:
La mirada del Dragón (Unaccompanied Tuba) by Eduardo Nogueroles (Potenza Music)
1st Round:
Adagio & Rondó (Tuba and Piano) by Albert Guinovart (Sb Edicions)
2nd Round:
Incantation for (Tuba and Piano) by Anna Segal (Cimarron Music Press)
Alarum (Unaccompanied Tuba) by Edward Gregson (Gramercy)
3rd Round:
Concerto (Tuba and Piano) by Barbara York (Cimarron Music Press)
(under 18 years old as of 1/1/2025)
1. Prize: 750 U.S. dollars + Diploma
2. Prize: 350 U.S. dollars + Diploma
3. Prize: 150 U.S. dollars + Diploma
Preliminary Round by Vídeo/Audio:
Mazurka (Unaccompanied Euphonium) by Nicholas D. Falcone (Cimarron Music Press)
1st Round:
Sonata (Euphonium and Piano) by Eriz Ewazen (Theodore Presser Company)
2nd Round:
La Flor del Cerezo (Euphonium and Piano) by Jordi Peiró (Sb Edicions)
(under 18 years old as of 1/1/2025)
1. Prize: 750 U.S. dollars + Diploma
2. Prize: 350 U.S. dollars + Diploma
3. Prize: 150 U.S. dollars + Diploma
Preliminary Round by Vídeo/Audio:
Suite for Unaccompanied Tuba by Walter Hartley (Theodore Presser)
1st Round:
Three Moods (Tuba and Piano) by Sy Brandon (Cimarron Music Press)
First prize winner in the Composition Competition for the 2023 International Tuba-Euphonium Conference, in the category of Intermediate solo Tuba with Piano accompaniment, on the occasion of the celebration of 50th anniversary of the International Tuba-Euphonium Association (ITEA).
2nd Round:
Foundations (Tuba and Piano) by Amparo Edo (Canyamel Music)
(under 14 years of age as of 1/1/2025)
1. Prize: special gifts + Diploma
2. Prize: special gifts + Diploma
3. Prize: special gifts + Diploma
1ST AND ONLY ROUND:
Interpretation of a piece of free choice that the competitor will perform without piano accompaniment (even if the piece requires it). The participant must send a copy of the score of the selected piece to the competition email.
(under 14 years of age as of 1/1/2025)
1. Prize: special gifts + Diploma
2. Prize: special gifts + Diploma
3. Prize: special gifts + Diploma
1ST AND ONLY ROUND:
Interpretation of a piece of free choice that the competitor will perform without piano accompaniment (even if the piece requires it). The participant must send a copy of the score of the selected piece to the competition email.
(over 16 years of age as of 1/1/2025)
1. Prize: 1000 U.S. dollars + Diploma
2. Prize: 500 U.S. dollars + Diploma
Preliminary Round by Vídeo/Audio:
Excerpts may be recorded separately, but may not be edited. Submit the excerpts in this order, in a single Vídeo/Audio file:
a) Contrabass Tuba (C or Bb):
15 Advanced Studies for Tuba (based on Orchestral excerpts) by Andrew Duncan (Duncan Music Press)
• The Enigma Machine
b) Bass Tuba (F or Eb):
Till Eulenspiegel’s Merry Pranks by Richard Strauss
• From 7 after 18 to 5 before 20
• From 25 to 6 after 25
• From 7 after 36 to 3 before 38
c) Contrabass Tuba (C or Bb):
Ein Heldenleben by Richard Strauss
• From 8 to 9, from 62 to 66
• From 5 before 74 to 2 after 75
Symphony No. 4, 4th movement by Pyotr Tchaikovsky
• From 9 after D to 15 before Tempo I
Download the scores in PDF: Preliminary Round
1st round:
a) Bass Tuba (F or Eb)
Sensemayá by Silvestre Revueltas
• From measure 2 to 11
Homenaje a García Lorca by Silvestre Revueltas
• Two measures before number 3 until number 15
• From number 16 until 6 measures after number 31
The Rite of Spring by Igor Stravinsky
• From measure 33 to 37, 57 to 60 and 64 to 71
Wozzeck by Alban Berg
• From 1 measure before number 440 to 5 measures after number 555.
b) Contrabass Tuba (C or Bb)
5th Symphony by Sergei Prokofiev
• From number 3 to number 6
• From 1 measure before number 14 to 3 measures after number 18
• From 1 measure before number 19 to 4 measures after number 20
Siegfried by Richard Wagner:
• Beginning of the second act to Poco Animato and Animato to Lento
Symphonic Metamorphosis (Turandot) by Paul Hindemith
• From letter L to 2 measures after letter P
• From letter Q to letter T
6th Symphony by Gustav Mahler
• From measure 104 to measure 109
• From measure 115 to measure 144
Download the scores in PDF: 1st Round
2nd round:
a) Bass Tuba (F or Eb)
Hungarian March by Hector Berlioz
• From number 20 to the end of the 1st scene
• From the 1st scene to 2nd Act Fugue
Romeo and Juliet by Hector Berlioz
• Entire Excerpt
Lohengrin by Richard Wagner
• 3rd Act, from number 2 to 5 measures after number 6
Symphonie Fantastique by Hector Berlioz
• From number 56 to 6 measures after number 57
• Allegro Assai
• From 2 measures after number 70 to 9 measures before number 76
• From 10 measures after number 84 to the end
b) Contrabass Tuba (C or Bb)
Fountains of Rome by Ottorino Respighi
• From pick up of 11 to 6 measures after number 16
Valkyrie by Richard Wagner
• Ride of the Valkyries
• End of the 1st Scene
• Beginning of the 2nd Scene
Symphony 2 by Gustav Mahler
• 5th Movement from number 10 to number 14, from pick up number 25 to Piu Mosso and from number 42 to number 43
Symphony 8 by Anton Bruckner
• 4th Movement, from the beginning to number 40, from letter X to letter Z.
Download the scores in PDF: 2nd Round
(over 16 years old as of 1/1/2025)
1. Prize: 1000 U.S. dollars + Diploma
2. Prize: 500 U.S. dollars + Diploma
Preliminary Round by Vídeo/Audio:
Excerpts may be recorded separately, but may not be edited. Submit the excerpts in this order, in a single Vídeo/Audio file:
Selected Studies for Baritone by Himie Voxman (Rubank Publications)
• Tempo di Polacca by Fedorow
Wind Band:
Paganini Variations by Philip Wilby
• Excerpt 1: Figure A to bar 24
• Excerpt 2: Figure M to figure N
Egmont, Bert Appermont
• Excerpt 1: From bar 160 to bar 172
Orchestra:
The Bolt by Dimitri Shostakovich.
• Excerpt 1: Four bars before figure 81 to figure 84.
• Excerpt 2: Figure 89 to figure 93.
Download the scores in PDF: Preliminary Round
1st Round:
Wind Band:
Symphony No.2 by James Barnes
• Excerpt 1: Bar 75 to 106
• Excerpt 2: Bar 123 to 130
• Excerpt 3: Bar 138 to 144
Hannibal by Mario Bürki
• Excerpt 1: Bar 106 to 124
Colonial Song by Percy Aldridge Grainger
• Excerpt 1: Bar 21 to 25
The Year of the Dragon by Philip Sparke
• Excerpt 1: Figure M to 6 bars after M
• Excerpt 2: 1 bar before figure N to 10 bars before figure O
• Excerpt 3: 6 bars after figure O until the end
Extreme Make Over by Johan de Meij
• Excerpt 1: From bar 439 to bar 463.
• Excerpt 2: From bar 496 to bar 508.
Orchestra:
Symphony 7 by Gustav Mahler
• Excerpt 1: Beginning to two bars after figure 3
• Excerpt 2: Figure 4 to two bars before figure 5
• Excerpt 3: Figure 43 to figure 45
Pini di Roma by Ottorino Respighi
• Excerpt 1: figure 21 until the last bar
Ein Heldenleben by Richard Strauss
• Excerpt 1: Figure 8-9.
• Excerpt 2: 2 bars before figure 11 to two bars after figure 12
• Excerpt 3: Three bars before figure 63 to figure 65
• Excerpt 4: Figure 70 to figure 75
• Excerpt 5: Two bars before figure 90 to three bars after figure 9
L’age d’or by Dimitiri Shostakovich
• Excerpt 1: Figure 39 until the end
Download the scores in PDF: 1st Round
2nd Round:
Wind Band:
Festive Overture by Dimitri Shostakovich
• Excerpt 1: Figure 8 to 1 bar before figure 10
• Excerpt 2: 1 bar before figure 21 to figure 23
The Jedi Steps and Final by John Williams (Paul Lavender)
• Excerpt 1: Bar 46 to 56
• Excerpt 2: Bar 78 to 83
The Legend of King Arthur by Pete Meechan
• Excerpt 1: 1 bar after figure G to figure I
• Excerpt 2: Bar 132 to one bar before figure U
• Excerpt 3: Bar 189 to figure Z
• Excerpt 4: Figure HH to 4 bars before figure II
• Excerpt 5: Figure JJ to 3 bars before figure KK
Divertimento by Oliver Waespie
• Excerpt 1: Figure B to D
• Excerpt 2: Figure F to 3 bars after figure G
Orchestra:
Theme and variations by Arnold Schoenberg
• Var. 5
The Planets by Gustav Holst
Movement I. Mars, the Bringer of War:
• Excerpt 1: Bar 34 to 44
• Excerpt 2: Figure 4 to bar 92
• Excerpt 3: 2 bars after figure 8 to 2 bars before figure 9
Movement IV: Jupiter (the Bringer of Jollity):
• Excerpt 4: Bar 16 to bar 27
• Excerpt 5: 3 bars after figure 11 to 4 bars before figure 12
Movement VI: Uranus (the Magician):
• Excerpt 6: 22 bars after figure 2 to 1 bar after figure 3
Bydlo by Modest Mussorgsky
• Excerpt 1: Beginning to figure 39
• Excerpt 2: Figure 43 to three bars before 45
Don Quixote by Richard Strauss
• Excerpt 1: Figure 3 to 7 bars before figure 4
• Excerpt 2: 1 bar after figure 9 to 3 bars before figure 10
• Excerpt 3: Figure 14 to 3 bars after figure 16
• Excerpt 4: Figure 47 to 7 bars before figure 48
Download the scores in PDF: 2nd Round
(over 16 years old as of 1/1/2025)
1. Prize: 2000 U.S. dollars + Diploma
2. Prize: 1000 U.S. dollars + Diploma
The competition is open to small ensembles consisting of tubas and euphoniums. Each ensemble must have a minimum of 2 members and a maximum of 6 members. Ensembles cannot include a conductor. The permitted combinations are open as long as the maximum number of 6 members is not exceeded. Each member of the ensemble must play either tuba or the euphonium.
Repertoire:
Participants must carefully select their repertoire according to the following guidelines:
Free Choice Repertoire:
Ensembles have the freedom to choose their own pieces for the competition.
Participants are encouraged to select repertoire that demonstrates their technical skill and musicality.
Competitors may choose original music, arrangements or music composed for the occasion.
Diversity of Styles:
Although the repertoire is free choice, it is recommended to include pieces that show a variety of musical styles to highlight the versatility of the ensemble.
1st Round:
20 minutes of repertoire chosen by the ensemble
2nd Round:
20 minutes of repertoire chosen by the ensemble and different from the 1st round
PLEASE NOTE: Ensembles must send copies of the scores of all the selected pieces to the competition coordinator email: itec2025competitions@iteaonline.org
(over 18 years old as of 1/1/2025)
1. Prize: 1000 U.S. dollars + Diploma
2. Prize: 500 U.S. dollars + Diploma
The competition aims to highlight the skill and creativity of jazz players on
the euphonium or tuba, promoting innovation within the genre.
Participants are free to choose the repertoire that best demonstrates their
skills and style within the context of jazz. This may include jazz standards,
original compositions, unique arrangements, or contemporary works.
To facilitate a complete performance experience, the competition organization
will provide a rhythmic base composed of accompanying musicians (piano, bass and drums) for all participants.
Participants must use this provided rhythmic base during their individual
performances with the tuba or euphonium.
Participants must communicate their decision to use the provided rhythmic
bass or to bring their own training with sufficient advance notice for proper
logistical coordination to the competition email:
itec2025competitions@iteaonline.org
All participants must send the material used during their performance to the
email designated by the competition organization.
1st and only Round:
15 minutes of repertoire chosen by the individual interpreter, Tuba
or Euphonium
1. Prize: 1000 U.S. dollars + Diploma
2. Prize: 500 U.S. dollars + Diploma
The objective of the competition is to promote the innovative and creative performance of new avant-garde musical works for euphonium or tuba. The aim is to highlight the talent of the performers and their ability to address technical and stylistic challenges in the context of contemporary music.
Participants will be responsible for any musical accompanist required during the performances.
“A musical accompanist is defined as any person directly involved in the performance, whether as an instrumental accompanist or in any other relevant musical role”.
Any costs associated with the accompanist’s participation musical, including fees, travel, accommodation or other related expenses, will be the sole responsibility of the participating performer.
The competition organization will provide the necessary technical support during the participants’ performances. This includes the availability of sound equipment, audio technicians, adequate lighting, and any other essential technical resources to ensure a smooth execution. Participants must communicate their specific technical needs to the email designated by the competition organization: itec2025competitions@iteaonline.org
Choice of Repertoire:
Competitors must perform works which highlight the technical and artistic capabilities of the Tuba or Euphonium in a context of contemporary avant-garde music.
Participants’ ability to present interpretations that show innovation and originality in the use of the Tuba or Euphonium will be evaluated. The presentation of unique and distinctive ideas in the choice of repertoire, interpretive approaches, arrangements or original compositions will be valued.
Competitors can freely choose the repertoire that best demonstrates the capabilities of the Tuba or Euphonium as a solo or featured instrument within an ensemble. They can choose to perform one long work or several shorter ones, as long as the total duration does not exceed 20 minutes.
1st and only Round:
20 minutes of repertoire chosen by the competitor
ITEA AWARDS
As part of its mission, the International Tuba Euphonium Association recognizes excellence in various fields and overall achievement in the profession in the form of awards. These awards recognize the very best artists, composers, and researchers who have produced work of the highest distinction and are indeed given to those whose work illustrates the highest level of artistry and scholarship, regardless of popularity or other factors. ITEA’s longest standard such honor is its Lifetime Achievement Award, established in 1991 as a way to honor those individuals who have made exceptional achievements in and/or service to the euphonium and tuba profession and the advancement of our instruments in the music world. Every two years, the Executive Committee and Board of Directors select awardees from among five categories: performance, pedagogy, industry, composition, and scholarship. Please click each award’s link for additional information:
ITEA LIFETIME ACHIEVEMENT AWARD
ITEA Mary Ann Craig Focus on Women Award
ITEA Dan Perantoni Teaching Award
ITEA Harvey Phillips Awards For Excellence In Composition
ITEA Roger Bobo Awards For Excellence In Recording
ITEA Clifford Bevan Award for Excellence in Research
PROPOSALS
ITEC relies on performances and presentations from participants to create a fantastic program. If you have a proposal, click below to read more, and submit your program or presentation.
Deadline: December 15, 2022.
TRAVEL AND HOUSING
TRAVEL:
Getting to Valencia is easy from anywhere in the world. There is a wide range of direct flights and connections to numerous cities in Europe and to important places from all around the world. The Valencia Airport is located 15 minutes from the city center and is perfectly connected to the city by metro and road with a permanent taxi service.
Valencia can also be reached by train from any point in Spain thanks to the numerous train service options, direct connections with other cities, and with the European continent. More information can found from Renfe (trains).
For travel by car, all roads to Valencia are fast motorways, including the Mediterranean motorway which connects the entire Spanish coast to France. Once in the city, there is an excellent public transport network with metro, tram, bus and bicycle rental. More info HERE
Due to the large number of tourists that visit the city every year, Valencia has numerous hotels of all categories and prices spread throughout the city. These hotels offer different services and have all the amenities for both tourists and people traveling on business or attending conferences and events..
In the area surrounding the Palau de la Música there are hotels, holiday rental apartments, and other accommodations in various price ranges.
Valencia has many important tourist attractions such as the Malvarrosa Beach, city’s port, historic and monumental center, Town Hall Square, Cathedral, Lonja de la Seda, City of Arts and Sciences, and the Albufera natural park. These emblematic places are seamlessly connected by the metro, bus, and tram lines that run throughout the city.
Valencia is also characterized by its rich gastronomy and leisure atmosphere. There are countless restaurants of all styles where you can enjoy fantastic tapas, typical Valencian paella, Japanese sushi, or the best Italian food:
Valencia is also known for its nightlife, which can be enjoyed in different atmospheres and places in the city.
HOUSING:
The official ITEC 2025 hotel will be:
Address: Paseo de la Alameda, 32, El Pla del Real, 46023 Valencia, Spain.
E-mail: valencia.palace@sh-hoteles.com
Phone: +34 963 375 037
Room Rates*:
• SH Valencia Palace Superior double room single use: €156.00
• SH Valencia Palace Superior double room: €176.00
• SH Valencia Palace Double room with views for single use: €186.00
• SH Valencia Palace Double room with views: €206.00
* Prices per room and day with the conference discount applied. Buffet breakfast included. 10% VAT included.
Booking Procedure:
Link: https://www.hotel-valencia-palace.com/en/?cp=CNFITEC2025
Code: CNFITEC2025
Please note: Reservations with a code will only be valid if they are made through the website on a computer. It will not be available on mobile devices.
Available stay dates: from 22 to 30 June 2025
Booking dates: from today to 22 May 2025
Cancelation policy:
• Free cancelation up to 30 days before arrival date
• Cancelations between 30 and 15 days before arrival date, 25% of the total reservation as cancellation fee.
• Cancelations 15 days or less before arrival date, 100% of the total reservation as cancellation fee
PLEASE NOTE THIS IMPORTANT DATE:
Free cancellation until 05/23/2025!
Payment method:
25% of the total 30 days before and the rest at the hotel
ADDITIONAL HOUSING:
Room rates:
Double room single use: €169
Double room: €179
* Prices per room and night. Buffet breakfast included. 10% VAT included. This prices will be active until 31.01.2025, after that date will be reviewed.
Booking procedure: Code: ITEC2025
Procedure 1:
Please visit the hotel’s website via the following link. The rates will appear with the discount applied for the ITEC. Choose the type of room you want and enter your details. By default, it appears from 22.06 to 30.06 and a room for two people, but if you want to make any changes, you can do so in the general information section above.
Procedure 2:
Please visit the hotel’s website via the following link: https://www.eurostarshotels.com/exe-rey-don-jaime.html?. Select the dates of your stay, the number of people, and in the section “promotional code” enter ITEC2025 (in capital letters). Choose the type of room and enter the data to formalize the reservation.
Address: Avenida del Puerto, 39, 46021 Valencia (Spain)
E-mail: reservasconsuldelmar@olympiagrupo.com
Phone: +34 963625432
Room rates: from €125 * (tax included) per night in a single room without breakfast included.
* These prices may change as the conference dates approach. We recommend booking as soon as possible.
Address: Avenida del Puerto, 60 , 46023 Valencia (Spain)
E-mail: hotelvillacarlos@hotelvillacarlos.com
Phone: +34 963375025
Room rates: from €54.15 * (tax included) per night in a single room without breakfast included.
*These prices may change as the conference dates approach. We recommend booking as soon as possible.
Address: Calle de la Paz, 36, 46003 Valencia (Spain)
E-mail: rednest@feetuphostels.com
Phone: +34 963427168
Room rates: from €36.03 * (tax included) per night. Bed in shared mixed room (4 beds) without breakfast included.
* These prices may change as the conference dates approach. We recommend booking as soon as possible.
Address: Plaza de Tetuán, 5, 46003 Valencia (Spain)
E-mail: purplenest@feetuphostels.com
Phone: +34 963532561
Room rates: from €33.39 * (tax included) per night. Bed in mixed shared room (10 beds) without breakfast included.
* These prices may change as the conference dates approach. We recommend booking as soon as possible.
PROPOSE A PERFORMANCE / PRESENTATION
ITEC 2025 Proposals
Also keep in mind ITEA’s Mission Statement:
«ITEA shall foster bonds among all tuba and euphonium players, create enthusiasm for the instruments and its performers, celebrate diversity, support professional development, promote the sharing of resources, and encourage teaching and learning about the instruments.»
For academic presentations, we are looking for:
- Usefulness. How interesting is the presentation for ITEC 2025 participants, and how can they benefit?
- Originality. Is the presentation original, and does it bring something new to the topic?
- Entertaining. Is the presentation entertaining?
For performances, we are looking for:
- Musical excellence.
- Diversity. We are looking for a wide variety of musical styles and performers. Please consider programming a work by an underrepresented composer.
- Premieres. Commission, arrange or compose a work and premiere it at ITEC Spain 2025.
Other ideas are also welcome, such as:
- Organize a panel discussion focusing on ITEC’s theme.
- Something fun
Finally, we want to present a multifaceted program that appeals to ALL of our member groups, from amateurs to professional – students to teachers – classical to jazz – and everything in between!
You do not have to be an ITEA member to send in a proposal, but if your proposal is accepted, you need to be a member at the conference.
Click on the button below to send in your proposal.
