HISTORICAL INSTRUMENT COLUMN: Looking at the Past: Why Play Historical Brass?
Of course you would expect the Historical Instruments column to look at the past, but the past stretches from the moment that you’ve read the…
Of course you would expect the Historical Instruments column to look at the past, but the past stretches from the moment that you’ve read the…
Historical Performance Standards: Low Brass Was Berlioz unique in having “modern” standards? That he was not a lone voice is demonstrated in many of the…
The ophicleide was still in use in some orchestras as late as the end of the nineteenth century, little more than a hundred years ago…
An earlier version of this article appeared in the February 2016 edition of the Galpin Society Newsletter and the Spring 2016 issue of The Serpent Newsletter. The finished…
New interest is emerging for instruments that have been a mere afterthought to the church serpent and ophicleide-namely, bass horns. The editors of second edition…
The Clifford Bevan Award for Excellence in Research ITEA established the Clifford Bevan Award for Excellence in Research to encourage the highest level of research…
(a continuing series) Robert E. EliasonCurator of Musical Instruments – Henry Ford MuseumT.U.B.A. Coordinator – Tuba/Euphonium History This improvement on the serpent was introduced by…
(a continuing series) Robert E. EliasonCurator of Musical Instruments – Henry Ford MuseumT.U.B.A. Coordinator – Tuba/Euphonium History [Editor’s note: This article and picture represent the…
(a continuing series) Robert E. EliasonCurator of Musical Instruments – Henry Ford MuseumT.U.B.A. Coordinator – Tuba/Euphonium History During the last half of the 18th century…
(a continuing series) Robert E. EliasonCurator of Musical Instruments – Henry Ford MuseumT.U.B.A. Coordinator – Tuba/Euphonium History The Abbe’ Lebeuf Mémoires Concernant l’histoire Civile et…
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